Microclimate for Cultural HeritageBy
- D. Camuffo, Consiglio Nazionale delle Ricerche, Istittuo di Chimica e Tecnologie, Inorganiche e dei Materiali Avanzati, Corso Stati Uniti 4, 35127, Padova, Italy
Developments in Atmospheric Science
Hardbound, 432 pages
Published: April 1998
...highly recommended book.
A. Longhetto, Il Nuovo Cimento Vol. 22, no. 1
Even the most casual reader of the conservation literature will have encountered examples of the remarkable body of work by Dario Camuffo wherein he has applied fundamental principles of physics to the study of the microenvironment of such diverse systems as temperature and humidity gradients in the Sistine Chapel, acid deposition and biocorrosion on Trajan's column, and the aeolian erosion of the Great Sphinx. The present work is no mere compilation or recapitulation of the author's previously published papers, but rather a publication of the fundamental principles and theoretical basis for the study of the microenvironments encountered by the most diverse forms of cultural property. It is appropriate that it finds its place in the series, 'Developments in Atmospheric Science' among such titles as
Physical Principles of Micro-Meteorological Measurements, Man's Impact on Climateand Atmospheric Aerosols.Where rigor is called for, the treatment includes derivations and equations. Yet the author never allows rigor mortis to set in. Always, clear practical examples are provided. Indeed, the theoretical treatment is at the service of the discussions of the many case studies introduced. It is perhaps useful to consider Camuffo's text in parallel to the widely read classic by Garry Thomson, The Museum Environment. In attempting to deal with the different levels of scientific appreciation brought by his prospective readers, Thomson covers the same material twice, offering, in effect, an introductory version and then a more advanced version for each topic. This solution always seemed rather artificial. It is much to the credit of Dr. Camuffo that he has written a book that may be the advanced-level version of The Museum Environment, while integrating the treatment in such a way that the conservator, the conservation scientist and the atmospheric physicist can all turn to it for reference and even enjoyment. The book i
N.S. Baer, Hagop Kevorkian Professor of Conservation, Institute of Fine Arts, Studies in Conservation 45
...the potential for this book could be substantial in many senior undergraduate courses.
B.D. Amiro, Agricultural and Forest Meteorology