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Digital audio and MIDI principles
To order this title, and for more information, click here
By
Francis Rumsey, Professor of Sound Recording at the University of Surrey (UK), Visiting Professor at the School of Music in Piteå. Fellow of the AES and contributor to the AES Journal.
Description
In this thorough introduction to the technology behind audio workstations, Dr Francis Rumsey explains not only how digital audio works
but also how to make best use of its capabilities. A combined revision of his two successful titles, MIDI Systems and Control and The
Audio Workstation Handbook, this new book covers recent developments such as surround sound formats, direct stream digital, new audio
project formats, new interfaces and alternatives to MIDI.
Desktop Audio Technology begins by setting out principles of digital audio
and how these are applied in recording, replay and editing within workstations. MIDI and synthetic audio control is then covered, looking
at the means by which artificial sounds can be controlled and manipulated. This is followed by explanations of hardware, including storage
devices, buses, computer interfaces and audio processing options. Dr Rumsey then focuses on transferring audio between systems, including
coverage of audio interfaces, networking and file formats. The next section examines audio software, providing working examples of different
commercial packages that exemplify some of the concepts previously described. The final chapter considers operational issues such as
recent spatial reproduction formats, consumer format mastering and quality control issues, as well as troubleshooting and systems issues.
If you are a student, lecturer or practitioner in the field of audio and are looking for an authoritative technical guide to the underlying
principles of digital audio and MIDI, this book is for you.
Dr Francis Rumsey is a Reader in Sound Recording at the University of Surrey
(UK) and a Visiting Professor at the School of Music in Pite? (Sweden). He is a Fellow of the Audio Engineering Society and a regular
contributor to the AES Journal. Dr Rumsey is also author of Spatial Audio and co-author of Sound and Recording (with Tim McCormick) and
The Digital Interface Handbook (with John Watkinson), all published by Focal Press.
Audience
Students of music technology, audio engineering, broadcast engineering, multimedia and related courses, as well as audio professionals, eg. audio engineers, broadcast engineers, post-production staff.
Contents
1. Introduction to audio technology for computers:
About this book; Audio workstations; Audio and the computer industry; Audio and quality;
2. Digital audio principles:
Analogue and digital information; Binary number systems; Basic A/D and D/A conversion of control information;
A/D conversion of audio signals;
D/A conversion; Sound quality versus sample rates and resolutions; Direct Stream Digital (DSD); Changing
the resolution of an audio signal(requantisation); Dynamic range enhancement;
Error correction; Introduction to digital audio signal
processing; Audio data reduction;
Further reading;
3. Recording, replay and editing principles:
The sound file; RAM buffering; Disk
drive performance issues; Allocation units or transfer blocks; Multichannel recording and replay; System latency; Principles of audio
editing;
4. MIDI and synthetic audio control:
Background; What is MIDI?; MIDI and digital audio contrasted; Basic MIDI principles; MIDI
messages in detail; MIDI control of sound generators; MIDI tuning control; General MIDI; Scalable polyphonic MIDI (SPMIDI); Standard
MIDI files (SMF); Downloadable sounds (DLS) and Soundfonts; RMID and XMF files; SAOL and SASL in MPEG 4 Structured Audio; MIDI and synchronisation;
MIDI machine control (MMC); MIDI over USB; MIDI over IEEE 1394; After MIDI?; Further reading; Web sites;
5. Hardware and systems issues
Storage media; Peripheral interfaces; Filing systems and volume partitions; Formatting, fragmentation and optimisation of media; Audio
processing and synthesis hardware; External synchronisation interfaces; User interfaces;
Serial control interfaces; Drivers and audio
I/O software; Further reading; Useful websites;
6. Audio formats and data interchange:
Audio file formats; Disk pre-mastering formats;
Interconnecting audio devices; Computer networks and digital audio interfaces compared; Dedicated audio interface formats; Networking;
Streaming audio over computer interfaces; Digital content protection;
7. Audio software:
Sequencers; Plug-in architectures; Virtual
instruments; Librarians and editors; Audio editing and post-production software; Mastering and restoration software; Advanced audio processing
software and development tools; Computer music software; Further reading;
8. Operational and systems issues:
Level control and metering;
Spatial reproduction formats; Controlling and maintaining sound quality; Preparing for and understanding release media; Synchronisation;
System troubleshooting; Further reading
| Bibliographic details |
Paperback, 288 pages, publication date: OCT-2003
ISBN-13: 978-0-240-51919-7
ISBN-10: 0-240-51919-1
Imprint: FOCAL PRESS
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| Price and Ordering |
Price:
EUR 41.95
USD 53.95
GBP 36
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Last update: 7 Sep 2009
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