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DIRECTING THE DOCUMENTARY
Directing the Documentary
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Fifth Edition

By
Michael Rabiger, Professor emeritus at Columbia College, founder of the Michael Rabiger Center for Documentary Film at Columbia College, recipient of the Preservation and Scholarship Award from the International Documentary Association

Description
Directing the Documentary is a comprehensive manual that has inspired over 100,000 readers worldwide. If you are interested in making documentary films, everything you need technically and conceptually is here. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing the Documentary covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills.

Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book offers eminently practical tools and exercises to help you develop credible and compelling stories. It shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style.

Audience
Documentary filmmakers and film students

Contents


BOOK ONE: FUNDAMENTALS
PART I You and Your Ideas


Chapter 1 The Director?s Role
Chapter 2 Recognizing Your Artistic Identity
Chapter 3 Developing Your Story Ideas
Chapter 4 Proposing and Pitching a Short Documentary



PART II: Documentaries and Film Language

Chapter 5 Documentary Language
Chapter 6 Elements and Grammar



PART III: Preproduction

Chapter 7 Research
Chapter 8 Developing a Crew



PART IV: Production

Chapter 9 Camera Equipment
Chapter 10 Lighting
Chapter 11 Location Sound
Chapter 12 Directing



PART V: Postproduction

Chapter 13 Editing: From Start to Viewing the First Assembly
Chapter 14 Editing: The Process of Refinement
Chapter 15 Editing: From Fine Cut To Sound Mix
Chapter 16 Titles and Acknowledgments



BOOK TWO: ADVANCED ISSUES



Part VI: Documentary Aesthetics

Chapter 17 Point of View
Chapter 18 Time, Development, And Structure
Chapter 19 Form, Control, and Style
Chapter 20 Reenactment, Reconstruction, and Docudrama



PART VII: Advanced Production Issues

7A: Preproduction
Chapter 21 Advanced Research
Chapter 22 Values, Ethics, And Choices
Chapter 23 The Advanced Documentary Proposal
Chapter 24 Preparing To Direct
7B: Production
Chapter 25 Optics
Chapter 26 Cameras and Camera Equipment
Chapter 27 Location Sound
Chapter 28 Organization, Crew, and Procedures
Chapter 29 Advanced Directing
Chapter 30 Conducting and Shooting Interviews
7C: Postproduction
Chapter 31 From Transcript To Film Script
Chapter 32 Creating Narration
Chapter 33 Using Music and Working with a Composer
Chapter 34 Editing: Refinements and Structural Problems



PART VIII Education and Starting Your Career

Chapter 35 Education
Chapter 36 From Film School To Film Industry
Glossary
Index

Bibliographic details
Paperback, 672 pages, publication date: FEB-2009
ISBN-13: 978-0-240-81089-8
Imprint: FOCAL PRESS

Price and Ordering
Price:
EUR 33.95
USD 49.95
GBP 28.99
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Last update: 5 Sep 2009
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