 |
 |
 | THE EDCF GUIDE TO DIGITAL CINEMA PRODUCTION
|  |
 |  |  |
 |
 |
To order this title, and for more information, click here
Lars Svanberg, Former head of technology for the Swedish Film Institute
Description
A professional introduction to the end-to-end process of digital filmmaking!
The EDCF Guide to Digital Cinema Production sheds light
on the ongoing and confusing transition from analog to digital technology in film production. In addition to a complete analysis of technical
concerns, this text deals with a number of issues where European and Hollywood priorities differ. It adds fuel to the discussion on "Photo-Chemical
Fundamentalism" and the future of traditional film-based cinematography.
With special emphasis on new HD production techniques for the
big cinema screen, this guide is the one and only resource available from a European perspective. The EDCF Guide to Digital Cinema Production
provides film professionals and decisions-makers in European cinema with an excellent basis for discussions on how to handle the transition
from analog to digital technology.
Look no further for:
* Several production case studies, among them Ingmar Bergman's last film "Saraband"
(2003) and Lars von Trier's "Dogville" (2003).
* Surveys of HD Systems & Cameras and "The 37 MFAQ on HD Production."
* Expert reports
on Audio Recording for HD and the Digital Intermediate Process.
* Detailed European initiatives in Digital Cinema.
* An up-to-date
survey of the problematic standards situation for Digital Cinema.
* A comprehensive look at archiving – the "Achilles Heel" of digital
production.
* The pros and cons of producing feature films digitally – a unique and professional view of "the agony and ecstacy."
Editor-in-Chief
Lasse Svanberg is a founding member of EDCF. He was DoP on 14 feature films 1966-81, founded TM (Technolgy & Man) Magazine at the Swedish
Film Institute in 1968 and was its Chief Editor until 1998 He was elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor?s
title by the Swedish Government 2002. He is the author of six books on the history and possible future of film, video and television.
The European Digital Digital Cinema Forum (EDCF) was constituted in June 2001 as joint Swedish-British-French effort to establish a
European forum for discussions, information exchange and industrial activities in the field of Digital Cinema. This project was initiated
because digital production, digital distribution and digital exhibition of film is the most radical technical change facing the film
industry since sound film was introduced.
Audience
Serious professionals working in the European film community that need to learn about digital technology from end to end: film producers, directors, editors, cinematographers, etc.
Contents
Why Digital?; HD Cameras; Testing HD Cameras; MFAQ; IB Meets Hi-Tech; Sonet Film; Hymipoika; Sound for HD; Workflows; HD Economy; EDCF;
NFT Digital Test Bed; European DocuZone; FHP Digital Houses; UK Film Council; Archiving Digital Media; Digital Cinema Standards; Digital
Cinema Outlook
| Bibliographic details |
Paperback, 192 pages, publication date: SEP-2004
ISBN-13: 978-0-240-80663-1
ISBN-10: 0-240-80663-8
Imprint: FOCAL PRESS
|
| Price and Ordering |
Price:
EUR 33.95 USD 46.95 GBP 27.99
|  |
Books and book related electronic products are priced in US dollars (USD), euro (EUR), and Great Britain Pounds (GBP). USD prices apply to the Americas and Asia Pacific. EUR prices apply in Europe and the Middle East. GBP prices apply to the UK and all other countries.
|
See also information about conditions of sale & ordering procedures, and links to our regional sales offices.
|
036/338
Last update: 5 Sep 2009
|
 |
|  |
 |  |  |
 |
|
|  |