By
Patricia Woodbridge, Patricia Woodbridge is a production designer and art director. Although she now works primarily for the film industry, she taught drafting
for 14 years at the Tisch School at NYU. Her work for the theatre includes the New York premier productions of Faith Hope and Charity
and The Runner Stumbles, as well as working for Arena Stage and the Julliard Opera. Her film credits include production designer for
Johnny Suede and art director for A Perfect Murder (1998), The Object of My Affection (1998), My Father The Hero (1994), and Cadillac
Man (1990) . She also worked as assistant art director on Meet Joe Black (1998), Conspiracy Theory (1997), City Hall (1996), To Wong
Foo, Thanks for Everything, Julie Newmar (1995) and Carlito's Way (1993).
Patricia Woodbridge, Patricia Woodbridge is a production designer and art director. Although she now works primarily for the film industry, she taught drafting
for 14 years at the Tisch School at NYU. Her work for the theatre includes the New York premier productions of Faith Hope and Charity
and The Runner Stumbles, as well as working for Arena Stage and the Julliard Opera. Her film credits include production designer for
Johnny Suede and art director for A Perfect Murder (1998), The Object of My Affection (1998), My Father The Hero (1994), and Cadillac
Man (1990) . She also worked as assistant art director on Meet Joe Black (1998), Conspiracy Theory (1997), City Hall (1996), To Wong
Foo, Thanks for Everything, Julie Newmar (1995) and Carlito's Way (1993).
Hal Tine, Hal Tiné (scenic designer) is a nationally recognized scenic designer teaching in the Production Design Department at SCAD and
has designed the School of Performing Arts productions of The Station, Carousel, Oliver Twist, Lend Me a Tenor, Guys and Dolls and The
Marriage of Bette and Boo.
Description
Designer Drafting for the Entertainment World provides essential information for designers, covering traditional hand drafting techniques
as well as computer-based drawing programs. This new text begins with the basic tools and comprehensive coverage of the principles of
scenic drafting and goes on to cover professional applications for the stage, motion pictures, television, trade shows, and amusement
park scenery. It also includes a chapter on virtual scenery and lighting.
The principles of drafting are explained with simple drawings
from the world of scenery as well as many examples of more complex draftings from some of the finest scenic designers working professionally.
Patricia Woodbridge has worked professionally in theatre, film and television, and uses examples from all industries throughout the
book. Since the examples of drafting are taken from a wide variety of different scenic applications, it gives the young designer a survey
of scenic career possibilities.
Audience:
Courses in scenic design and drafting in theatre programs; Scenic designers and art directors throughout the entertainment industry
